Tuesday 21 October 2014

Shailesh Flute Recital song list


1. Saraguna (Varnam) - Madhyamavati, Tiruvottriyur Tyagayyar, Adi (Brief-A, brief S)
2. Guruleka - Gaurimanohari, Tyagaraja, Khanda Chapu (A, S)
3. Sri Guruna Palitosmi - Padi, Muttusvami Dikshitar, Rupakam (Brief-S)
4. Sarasa Sama Dana - Kapinarayani, Tyagaraja, Adi
5. Sri Visvananatham - Chaturdasharagamalika, Muttusvami Dikshitar, Adi
6. Bhuvaneshvariya - Mohanakalyani, Muthiah Bhagavatar, Adi (A, S)
7. Urake Galguna - Sahana, Tyagaraja, Misra Chapu (A, S)
8. Dachukovalena - Todi, Tyagaraja, Misra Jhampa (A, brief-N, S, Tani)
9. Enna tavam - Kapi, Papanasam Sivan, Adi (A)
10. Dharma Shravana - Durga, Purandara Dasa, Adi
11. Tava Dasoham - Punnagavarali, Tyagaraja, Adi
12. Nee nama Rupamulaku (Mangalam) - Saurashtram, Tyagaraja, Adi

Monday 20 October 2014

Shailesh Ramamurthy Flute Recital- October 19, 2014

Yesterday we featured a flute recital by Vid. Shailesh Ramamurthy accompanied by Vid. Anand Vishwanathan on the violin, and Chi. Akshay Anand on the mridangam. The concert was held in the beautiful residence of Sri Arunachala, next to Olde Bangalore. Thanks to Meenakshi and Arun for their hospitality!
We had a wonderful audience of great rasikas who travelled a big distance in rainy weather to listen to a vidwan who very rarely gives public performances.
Shailesh gave us all the experience of pure flute music dipped in classicism and melody and totally shorn of speed gimmicks. He took us on a journey through profound ragas like Shahana and Todi. He gave us a colourful Mohana Kalyani. He essayed the difficult Sri Vishvanatham in Chaturdasha-ragamalika of Muthuswami Dikshitar. He played a lilting Sarasa Sama Dana and a moving Enna Thavam Shaidanai Yashoda. He played Durga on the long flute and gave us the GNB-popularised Dharma Shravana.
Anand on the violin provided solid accompaniment and came into his own in Mohana Kalyani and Todi.
Akshay played a brilliant tani in Mishra Jhampa Tala after Dachukovalena, and gave impeccable sonorous mridangam accompaniment throughout. The natural acoustics of a mikeless(almost) concert were very enjoyable!
The song list will be appended separately.
Shailesh Ramamurthy is an MTech from IIT Kharagpur, winning the prestigious Dr Shankar Dayal Sharma gold medal. He is an acknowledged expert in signal processing.

Monday 14 July 2014

Rasaanveshanam #3 Aishwarya Vidhya Raghunath

If you weren't there, this will help you imagine it. Imagine Bangalore in July, with the freshness of rain-soaked trees and cool breeze. Imagine cuckoos and mosquitoes having a ball. Imagine a lovely Sunday before FIFA 2014 final. Head to defence colony in Indiranagar. Enter a flowerbedecked doorway. Immerse yourself in lovely Carnatic music. With the intimacy of a chamber concert and the vibrancy of a rivetting Shahana, Suruti and Todi.

Aishwarya sang very very well, and for over three hours. What an array of delectable compositions delivered with panache.

Thanks Mangala and Karthik!



Viva Rasaanveshanam!



Monday 19 May 2014

Vid. Ashwin Anand Veena Recital - May 18, 2014







We had a 3:30 hour concert yesterday by Vid Ashwin Anand accompanied by Vid H S Sudheendra- mridangam and Vid Phanindra Bhaskar- Ghatam.



The memorable fare included Nayaki- kanugonu soukhyamu, Ramapriya - korina varamosagumayya, Kambhoji-Sri Subramanyaya and an RTP in Kharaharapriya. On request, Ashwin also played Ritigowla - Janani ninnuvina. His delicate artistry and fabulous raga delineations on the veena were matched by a highly sensitive and modulated mridangam accompaniment by Vid Sudheendra and appropriate ghatam accompaniment by Phanindra.
The entire concert has been video and audio recorded by me (an amateur effort) thanks to the recorders kindly provided by Lalitharam. Parivadini will upload the concert on You Tube
soon.

We had a sizeable audience of nearly forty and the ambience in Sharada Murali Moran's residence was simply wonderful. Not to forget the coffee, Kashi halwa and alu bondas!

  1. Chalamela Varnam – Darbar – Tiruvotriyur Thyagayya
  2. Pavanatmaja Agaccha – Nata – Muthuswami Dikshitar
  3. Kanugonu soukhyamu – Nayaki – Thyagaraja
  4. Annapurne- Sama – Muthuswami Dikshitar
  5. Janani ninuvina – Ritigowla – Subbraya Shastri
  6. Korina Varavasagumayya – Ramapriya – Patnam Subramania Iyer
  7. Chalamelara- Margahindola – Thyagaraja
  8. Sri Subrahmanyaya Namaste – Kambhoji – Muthuswami Dikshitar
  9. Devadideva Sadashiva - Sinduramakriya – Thyagaraja
  10. Ragam Tanam Pallavi – Kharaharapriya  ( ragamalika swaras in Kanada, Varali, Behag)
  11. Sitakalyana vaibhogame – Kurinji – Thyagaraja
  12. Venkatachalanilayam – Sindhubhairavi-Purandaradasa
  13. Behag Tillana - Veene Sheshanna
  14. Mangalam 
Take care and be happy!

Thursday 10 April 2014

Dr R Vedavalli and Disciples - Ramanavami program on DD Podhigai



Dear all,
I hope you watched on Ramanavami this excellent program on DD Podhigai. If not, you can watch the entire hour-long program, thanks to Mr TVG, by clicking on the linkbelow - it takes you to the You Tube playlist with 13 parts:
http://www.youtube.com/playlist?list=PL0yByN5P3tVYuED1caVo4lULZ8ImLwL8L
Image

Dr Vedavalli and disciples presented an IMPECCABLE program. The vidushi made highly appropriate, succinct introductions to each of the Utsava sampradaya krithis selected. The visuals of Rama pattabhisheka icons on the stage and the temple abhisheka images were extremely beautiful. The singers were seated In a beautiful arc on the left and they all sang with a very high level of musical sensitivity and devotion. Even the voices selected for individual lines were very well done. Each singer modulated her voice the right way. The right side arc had Sri RK Shriram Kumar on the violin, Sri Ashwin Anand on the Veena, Sri Arun Prakash on the mridangam and Sri Guruprasad on ghatam. The percussion support was subdued as befit the occasion. The violin and particularly Veena musical introductions to each song were melodious.

The sound settings for all the vocals and instruments were done beautifully. The camera work was exquisite. 

I can say this is perhaps the FINEST television program I have seen on DD. Full marks to Podhigai.

I had an unforgettable Ramanavami thanks to the Sangeetha Kalanidhi Dr R Vedavalli.
Rsachi
 
Posts: 2307
Joined: 31 Aug 2009 08:24
Location: Bangalore

Monday 31 March 2014

Jayan Parameshwaran's review

http://kpjayan.wordpress.com/2014/03/31/abhishek-raghuram-at-rasanveshanam-concert-utopia-near-airport-30th-march-2014/

How an idea becomes a movement

What is Rasaanveshanam?

I have decided to share this for the renewal of ideas among current core members and also to set the expectations for new core members.

We discussed over many sessions the scope of Rasaanveshanam. The blog Rasaanveshanam.blogspot.in tries to capture it.

The vision of Rasaanveshanam is "journeying together in quest of great musical experiences".

It translates into four types of activities as discussed:

1. Physically travelling together to kshetras of Carnatic music - Trinity and others, temples, historic places, and spending time savouring the lyrics, the compositional impetus, life stories of musicians and saints, and the music, all of which deeply enriches the Carnatic experience.

2. Hosting intimate concerts at home, with only Rasaanveshanam core members and their guests, enabling a close interaction with musicians. Key themes - home setting and hospitality, great music at close quarters, small group for better interactions.

3. Spending time together in the context of music - maybe attending concerts, or just sitting together, singing to each other,  playing some tracks and discussing them etc. This is an ongoing activity already.

4. Serving the larger cause of music appreciation by arranging thematic/lec-dem type of concerts of veterans and very knowledgable "non-mainstream" artistes. This last activity was intended to be thrown open to even outsiders, at a venue easily accessible. For this purpose we did not want to go and book expensive sabha halls. Ananya Sevasadan in Malleswaram seems ideal for such an activity.

How often do we do each of the four, and how much money, and which artiste etc. is all up for discussion time to time. We are not mandating anything. It is never an either or choice among the four.

For example, having a concert of Vyasarapadi Kodandaraman, a famous nagaswaram vidwan, in a venue like Ananya seems great. Because we think our efforts and money are well spent if the rasikas who attend Ananya programmes also come. That is the subject of co-hosting.

There is an important difference between concerts at home and item 4. Say Ananya. There will be no catering, no spend on the hall or mike or seating etc, the payment will be mainly to artistes. There will be a 2 minute intro to Rasaanveshnam and the event will be co-promo with Ananya in the media and their newsletters etc.

To add some important exclusions:

Will Rasaanveshanam become a sabha with public membership? No.

Will Rasaanveshanam conduct music festivals and sell tickets? No.

Will Rasaanveshanam get sponsors and ads? No.

Will Rasaanveshanam become a byword in music circles like Gayana Samaja or ISS or Unnati? No.

Will Rasaanveshanam sell music recordings and videos? No.

An important inclusion:
Does the core member have any commitment? Yes, very much. The entire event each time will be hosted on cost-sharing basis. Of course if the concert is held in anyone's home there will be added strain and responsibilities for the host; but whatever costs can be detailed and estimated will always be shared equally immediately after each event by the core members with the 'host' core member.

We estimate around six concerts at home every year and the total outflow per year will be Rs 20—25K per core member.

Happy Rasaanveshanam in the Jaya samvatsara!

Brilliant Start to Rasaanveshanam - Concert at Home



Abhishek Raghuram - Vocal
HM Smitha              - Violin
Anantha R. Krishnan - Mridangam

Abhishek delivered an unforgettable concert at Arunachala today. We had over 60 people including guests from Hyderabad, Chennai, and Bhagavatars of OS Sunder group who had done Bhajans for Aruns family this morning. Arun and Meenakshi had made excellent arrangements.

Abhishek was accompanied by an able and melodious HN Smitha and a SIMPLY SPECTACULAR ANANTHA R Krishnan.

The song list was:
1. Viriboni Bhairavi
2. vatapi Hamsadhwani
3. Vinata Suta Jayantasena T
4. Ada Modi Charukeshi
5. Meenakshi Memudam Purvi Kalyani
6. tani
7. Mayamma Ahiri
8. A song in Surutti Telugu which went like Rama Namam...
9. Mangalam

Purvi Kalyani scaled unprecedented melodic depths of the raga and some unique simply unique phrases that brought out hidden gems in this raga. He did much work in the lower half of the scale, upper half of the scale, top scale and lots of jump phrases. His swaras were electric in parts. 

The song was rendered magnificently. I think nothing was left untouched or unadorned. It was his total worship of the idol of Meenakshi in Madurai, with all flowers, sandal paste, incense and offerings. In the words of Venky, your chartered accountant, it was Paisa Vasool.

The Jayantasena was handled very well too.
Ahiri was like litchi with ice cream - a surprise dish.

Anand delivered exquisite touches and punches every minute of the concert. The mike arrangements were excellent, we got the full tonality of the left and right wonderfully. He delighted us all with a great tani after a superb Meenakshi.

Abhishek had met with a big accident ten days ago on his way to a concert in Hole Narasipura. The car turned turtle. His ribs are badly bruised and hurt inside. He had great pain while sitting down or standing up. He said his concert today had been possible because of great love and care of family, friends and well wishers. 

He initially said he would sing for less than a couple of hours, I think he did finally 3 hours.

Jayanthi and Kumaresh brought him and his wife in their car, they stayed throughout and enjoyed the concert.

The full house had nothing but happy memories after the concert. Even the prasadam Sundal and Kesari was good.

On to the next concert!!!!!


Sachi